Carla Blank

ESSAYS:
"A new New Deal for the Arts" SF Chronicle (02/06/09)
www.counterpunch.org (02/16/09)

"El olvido del papel espanol en la fundacion de Estados Unidos" El Pais (10/09/07)

"Elvis Presley: King or Apprentice?"
www.counterpunch.org/blank08152007.htw (08/15/07)

"America, the Beautiful." www.counterpunch.org/blank05022007.html (06/27/07).

"Worst U.S. Massacre?" San Francisco Chronicle Op-Ed,(05/02/07). Reprinted on websites including Counterpunch and FAIR.

"Whose Abstract Art: If you trove the catacombs of history, what will you find?" "The Green Magazine," (08/09/06).

RECORDINGS:
"For All We Know" (c.2007, Ishmael Reed Publishing Co)

The Ishmael Reed Quintet plays 9 standard jazz and pop tunes and 3 original works.

With Roger Glenn (flute), David Murray (tenor sax, baritone clarinet, piano), Chris Planas (guitar),Ishmael Reed (piano), and Carla Blank (violin).

(Order through cdbaby.com/cd/ishmaelreedquintet, amazon.com, and itunes)

UPCOMING EVENT

KOOL - DANCING IN MY MIND
April 17 & 18, 7:30 PM
Works & Process
Peter B. Lewis Theater, Solomon R. Guggenheim Museum

August 8 & 9, 8:00 PM
Guild Hall, East Hampton, NY

Robert Wilson and Carla Blank collaborate with filmmaker Richard Rutkowski on a performance portrait inspired by Suzushi Hanayagi, legendary Japanese choreographer who was a long time collaborator and dear friend of both artists.

Six dancers, featurning Jonah Bokaer and Illenk Gentille, and including CC Chang, Sally Gross, Meg Harper, and Yuki Kawahisa, perform reconstructions of dances from Hanayagi's collaborations with Wilson and Blank, in addition to original solos performed by Bokaer and Gentille. Both archival footage and current images of Suzushi Hanayagi, now living in Osaka in a profound stage of Alzheimer's, are simultaneously projected throughout the performance.

"For those who believe in dance, KOOL is indeed a cool experience.
Linda Yablonsky, artforum.com/diary

"a fascinating tribute"
Susan Yung, Thirteen:SundayArts

"The story behind KOOL (Suzushi means "cool" in Japanese) is both sad and inspiring...I can see ...why that long relationship needed to be remembered and acknowledged."
Deborah Jowitt, Village Voice

written and edited by
Carla Blank
Three Rivers Press (an imprint of Random House)
Publication date: September 30, 2003
ISBN: 0-609-80784-6
Price: $18.00 (paper, 479 pages)

About the Author and Contributors

CARLA BLANK is a writer, editor, and teacher who has lectured at the University of California–Berkeley, Dartmouth College, and the University of Washington, among other places.

The Before Columbus Foundation was founded in 1976 to promote and disseminate contemporary American multicultural literature. Its mandate is driven by the idea that America’s diversity necessitates interaction and sharing in place of appropriation and antagonism. Besides giving their imprimatur to this project, members of the Before Columbus Foundation’s board of directors contributed chapter introductions to each decade.

In addition, over thirty other major artists and top scholars contributed mini-essays and timelines-within-the-timeline, and served as consultants to the project.

Editorial Reviews and Feature Articles

From "Publishers Weekly":
Blank, who lectures on multiculturalism at the University of California, Berkeley, presents "an overview of twentieth-century America that is both interdisciplinary and multicultural, and therefore more truly comprehensive than other sources." Covering innovations in science and the arts, and featuring contributions by women, gays and lesbians, Native Americans and Latinos (among others), the decade-by-decade timeline of the last century represents virtually all groups and disciplines. Blank enhances the timeline with essays by noted scholars and artists, such as Gerald Vizenor's piece on Wounded Knee (in a quick look at the 19th century), and sidebars, such as one by Meredith Monk on her musical explorations in the 1960s. The word "multicultural" in the title is somewhat misleading-Blank's range is wider than that, including the major historical markers (e.g., elections of presidents, etc.). And it's debatable whether Duncan's and Loie Fuller's contributions to dance fall into the "multicultural" category. Still, students of American history will find this a useful and thorough guide to major events of the last 100 years.
Copyright 2003 Reed Business Information,Inc.

From "Booklist":
It is often stated that history is written by the winners. History is also written by people who view events through their own prism; inevitably, that leads them to include and exclude particular events, groups, and individuals in their accounts. The stated purpose of this chronology of the twentieth century is to give proper attention to groups and individuals whose accomplishments have been neglected by mainstream historians. Blank is a writer and artist who lectures at the University of California, Berkeley. The Before Columbus Foundation has promoted multicultural education for more than 20 years. It has provided an informative and useful survey of many important contributions of women, racial and ethnic minorities, and political dissidents over the past 100 years. The narrative is presented as a time line, which is enhanced by short essays and more than 100 photographs (unseen by this reviewer). Although the tone of these essays is often strident and far from objective, they do provide interesting and often surprising details, which provide a richer, fuller view of our history.
Jay Freeman
Copyright © American Library Association.


From "Publishers Weekly"(8/11/03):
“This is not another story about the greatest generation," says [Crown] senior editor Chris Jackson about Rediscovering America." [The timeline]....links cultural advancements with the political ones usually covered in traditional history books. "So something that seems like it’s an isolated, discrete, historical event actually is something that has all kinds of massive implications....In fact, everything about the book is done in a way that breaks down the normal hierarchy of historical publishing,” Jackson says. "It puts a seat at the table for the arts in way that I would say no other reference work to the 20th century does.”